The ending of this Ibsen play is a powerful one that emphasizes the finality of Nora's decision to leave Torvald. She doesn't merely close the door to their relationship; she slams the door. That chapter in her life as Torvald's "doll" wife is completely over; Nora is never coming home. She has made her decision deliberately and explained it calmly to Torvald before she walks out, but the slammed door punctuates her statement with an exclamation point that she no longer suffer his treatment of her silently. Nora declares she is an individual first, and she leaves to pursue her life as one. The audience is not left wondering about her choice; we don't know, however, whether she will succeed in her new life as a woman who has abandoned her family.
Subscribe to:
Post Comments (Atom)
In Act III, scene 2, why may the establishment of Claudius's guilt be considered the crisis of the revenge plot?
The crisis of a drama usually proceeds and leads to the climax. In Shakespeare's Hamlet , the proof that Claudius is guilty...
-
The topics that are the focus of your paper seem to take US history from the time of early imperialism under Teddy Roosevelt in ...
-
No, not really.Consider these lines: "Naught's had, all's spent, Where our desire is got without content: 'Tis safer to be ...
-
When the little boy Pip meets the escaped convict Magwitch he is overwhelmed by fear and guilt. The first words uttered by the terrified Pip...
No comments:
Post a Comment