The sheer magic of Coleridge's poem Kubla Khan eludes every attempt to arrive at an explanation, clear and conclusive.
In Stanza 1, Coleridge presents a 'sacred river' called Alph, a mystical, extra-geographical river which runs overground for a few miles before dissolving itself into a sub-terranean 'sunless sea' by jumping through 'caverns measureless to man'. This is an underworld, eerie & invisible, and full of commotion.
In Stanza 2, we are told of the birth of the river from a 'mighty fountain' at the bottom of a 'deep romantic chasm'.The upjetting water of the fountain thrusts itself upward in 'half-intermitted bursts' producing yet another turmoil, this time a commotion of a perpetual moment of the birth of life. Pieces of rocks being thrown upwards assume a dancing pattern to give us a combined impression of violence and harmony.
Thus the two underworlds respectively symbolise the dark, invisible world of death & the deeply embedded world of life being perpetually born.It is the river of life--'five miles meandering with a mazy motion'--which is being continually born at one end, and perpetually dying at the other.
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