A British police official in Burma, the narrator is a questioning colonialist. He perfectly understands the Burmese resentment of the British, while at the same time he hates the petty harassments that the natives inflict on him and his compatriots. As an ostensible agent of control, he understands that the will of the crowd demands the death of the elephant despite his unwillingness to shoot the animal.
"Shooting an Elephant" depicts a cycle of resentment and violence, in part obvious, in part subtle. Obvious is the fact that, in oppressing the Burmese, the British incur their righteous wrath. Orwell spares little in his picture of the imperial order. The key to the moral content of "Shooting an Elephant" lies in a chain of identifications made by the narrator, beginning with his identification of the trampled Dravidian with the victim of the crucifix-ion.
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