Describe how and why King Creon might be considered the tragic character.

From my notes:

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Tragic heroes are so much the highest points in
their human landscape that they seem the inevitable conductors of the power about them,
great trees more likely to be struck by lightning than a clump of grass. Conductors may
of course be instruments as well as victims of the divine lightning.  (Northrop
Frye)

According to this
definition, Creon, as king, is the "highest point" of the human landscape and the
greatest "conductor" of divine lightning.  All the tragic suffering is conducted by him
toward others.  He suffers first and makes others suffer by extension.  Haemon and
Eurydice are the lower points of the human landscape, the "clumps of grass," who are
also struck down by the strike.

Death is also a deciding
factor.  Although he doesn't die like Antigone, Creon suffers like Oedipus at the end of
Oedipus the King.  His wife, son, and would-be daughter-in-law die.
 It's a tragic cause and effect: hubris leads to bad law; hubris leads to stubborn
rebellion of bad law; hubris leads to stubborn punishment of rebellion; hubris leads to
hasty suicide.  Creon is left to clean up the pieces: his family's deaths, his subjects'
rebellion, his cursed, lonely rule.

Really, the play
involves two lightning strikes, two tragic heroes who present two extreme cases of
hubris in the exercise of and reaction to law and power.  Sophocles, as much as he wants
to be objective, sides with Antigone, I think.  He gives her the moral high ground, as
she upholds gods' law above man's.