Rebecca is symbolic of evil. The face she portrays to the world is very different from her real self. She shows her evil side only to her husband, flaunting her affairs and misdeeds to his face. Manderley, the house that Rebecca created, is also representative of evil, and in the end, this evil is burned to the ground. Happy Valley still stands, however, representing that good wins out over evil. Happy Valley is considered a paradise that Max and his second wife lose when Manderley is set on fire. The characters who remain loyal to Rebecca are also forces of evil who try to destroy Max's marriage to the protagonist. With the loss of paradise comes the narrator's loss of innocence, which symbolizes ignorance and even danger for the narrator. Du Maurier feels knowledge and experience are necessary for her survival. The narrator goes from innocence and ignorance to knowledge and experience, and this is how she endures her ordeal at Manderley and wins out over Rebecca's "ghost".
Subscribe to:
Post Comments (Atom)
In Act III, scene 2, why may the establishment of Claudius's guilt be considered the crisis of the revenge plot?
The crisis of a drama usually proceeds and leads to the climax. In Shakespeare's Hamlet , the proof that Claudius is guilty...
-
Cohesion is a force where both like molecules undergoes intermolecular attraction with each other within a body which acts to unite them., a...
-
The Nazis used hunger, fear, and violence to indoctrinate the prisoners into camp. The Nazis broke the prisoners down to their most basic an...
-
The only mention of any name in the story is this name, Jig. It is what the man of the relationship calls the woman of the relationship. H...
No comments:
Post a Comment