The house is personified to represent the "Old South" and Miss Emily. The house "had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street." Now, according to the narrator, industrial progress has "obliterated even the august names of that neighborhood." Here, the house represents the ideals of the "Old South," those of Colonel Sartoris and Miss Emily's father. Even though the house is in decay, it still stands, showing that the attitudes of the "Old South" still remain even in the midst of social and technological progress.
When the narrator says, ". . . Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps," the house personifies Miss Emily. She is a forced remnant of the "Old South" because of her father's treatment of her and Colonel Sartoris' allowing her not to pay taxes because of her family's name and place in society. Emily, herself, is stubborn and refuses to give in to the community's demand that she pay taxes, just as the house refuses to fall to modernization.
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